Keith Jarrett is a piano prodigy and one of jazz's few luminaries to also perform critically acclaimed classical music. Originally a sideman of Miles Davis, he became a global superstar after the success of The Köln Concert in 1975, an impassioned masterpiece of extemporization that became the best-selling solo jazz album of all time. Since then he has continued to play in small groups, no longer as sideman, and periodically returns to the world's great concert halls to perform improvised solo recitals. Throughout the course of these three CDs, Jarrett's playing is sublime, though the Paris concert is not as outstanding as the London. Grunting and moaning, his spinning fingers weave sounds that are idiosyncratic and timeless: ecstatic folk, wonky blues, and haunting classical. Jarrett's oral sound effects are notoriously grating and there is a preponderance of twitching dissonance - this is intensely absorbing and rewarding music, but not for the dinner party.
Showing posts with label Short Album Review. Show all posts
Showing posts with label Short Album Review. Show all posts
Monday, 19 October 2009
Keith Jarrett - Testament Paris / London
Keith Jarrett is a piano prodigy and one of jazz's few luminaries to also perform critically acclaimed classical music. Originally a sideman of Miles Davis, he became a global superstar after the success of The Köln Concert in 1975, an impassioned masterpiece of extemporization that became the best-selling solo jazz album of all time. Since then he has continued to play in small groups, no longer as sideman, and periodically returns to the world's great concert halls to perform improvised solo recitals. Throughout the course of these three CDs, Jarrett's playing is sublime, though the Paris concert is not as outstanding as the London. Grunting and moaning, his spinning fingers weave sounds that are idiosyncratic and timeless: ecstatic folk, wonky blues, and haunting classical. Jarrett's oral sound effects are notoriously grating and there is a preponderance of twitching dissonance - this is intensely absorbing and rewarding music, but not for the dinner party.
Jack DeJohnette - Music We Are
Drummer Jack DeJohnette established his name playing with Miles Davis during his 'electric period', featuring on the seminal Bitches Brew. Acknowledged as one of jazz's finest drummers, DeJohnette has led and backed many influential names and in particular has enjoyed a fruitful 40-year recording relationship with fellow Davis alumnus Keith Jarrett. Here, for the first time, he is flanked by both bassist John Patitucci and pianist Danilo Perez, towering names in contemporary jazz and members of Wayne Shorter's (an earlier Davis protégé) much-lauded current quartet. The record is genuinely experimental, veering from tango (classy opener 'Tango African' featuring an overdubbed DeJohnette on melodica) to abstract classical, post-bop to free improvisation. Though perhaps conceptually incoherent, the trio's post-modern genre-bending is best understood not in terms of its component styles but rather as the successful summation of individually outstanding musical talents. This album is a gem of forward-thinking music.
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